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Point totals
Asked
Open questions
Answered
Asked | Open questions | Answered
Date Pair Term Level Status Answers (undeclined) Gloss
Oct 3 '17 eng>esl “filmmaker-in-residence pro closed 3 no
Oct 3 '17 eng>esl talky pro closed 3 ok
Sep 29 '17 eng>esl movements of Cassavetes's presentation pro closed 2 no
Sep 29 '17 eng>esl suburban life pro closed 2 ok
Sep 29 '17 eng>esl no adored or loved characters pro closed 4 ok
Sep 27 '17 eng>esl gender-changed pro closed 1 ok
Sep 26 '17 eng>esl closet audience pro closed 2 ok
Sep 26 '17 eng>esl two separate three-act play scripts pro closed 1 ok
Sep 26 '17 eng>esl in which the plays would be mounted on successive nights pro closed 2 ok
Sep 26 '17 eng>esl entire theatrical event pro closed 1 ok
Sep 25 '17 eng>esl two-evening theatrical event pro closed 1 ok
Sep 25 '17 eng>esl imaginative fixities pro closed 2 ok
Sep 25 '17 eng>esl depiction of life being lived at its most creative, exciting, daring+precarious pro closed 2 ok
Sep 25 '17 eng>esl Cassavetes was not filming improvised lines but improvised lives pro closed 2 ok
Sep 25 '17 eng>esl the “improvisation” CANARD represented a conceptual error pro closed 2 ok
Sep 25 '17 eng>esl experiental openness pro closed 1 ok
Sep 23 '17 eng>esl filmed to the point of being second nature to the actors pro closed 3 ok
Sep 22 '17 eng>esl Insecurity is the only dependable relationship to experience pro closed 2 ok
Sep 22 '17 eng>esl ontologically and experientially insecure pro closed 3 ok
Sep 22 '17 eng>esl precarious pro closed 3 ok
Sep 22 '17 eng>esl an art that denies the viewer a relaxed relationship pro closed 2 ok
Sep 22 '17 eng>esl open-ended, process-oriented, unresolved universe pro closed 2 ok
Sep 22 '17 eng>esl replacing narrative eventfulness with the give-and-take of social interactions pro closed 2 ok
Sep 22 '17 eng>esl the aspects of his presentation that were criticized as longueurs pro closed 3 ok
Sep 22 '17 eng>esl the characters are as smart as a viewer is about them pro closed 1 ok
Sep 22 '17 eng>esl as it watches itself in the act of performance pro closed 1 ok
Sep 21 '17 eng>esl is only increased by the fact that pro closed 1 ok
Sep 21 '17 eng>esl developmental dead-ends pro closed 4 ok
Sep 21 '17 eng>esl expressions of crucially important insights pro closed 3 ok
Sep 21 '17 eng>esl imaginative fluidity and mobility pro closed 3 ok
Sep 21 '17 eng>esl imaginative wholeness pro closed 1 ok
Sep 21 '17 eng>esl prelapsarian pro closed 3 ok
Sep 21 '17 eng>esl to a fault pro closed 3 ok
Sep 21 '17 eng>esl emotionally stingy pro closed 5 ok
Sep 21 '17 eng>esl Nothing could be further from Robert Altman’s judgmental stances in Mash pro closed 2 ok
Sep 21 '17 eng>esl place pro closed 1 ok
Sep 21 '17 eng>esl the unity of the self pro closed 1 ok
Sep 20 '17 eng>esl states of self-inflicted pain pro closed 1 ok
Sep 20 '17 eng>esl clarifying depths pro closed 2 ok
Sep 20 '17 eng>esl avoidance of self-disclosure pro closed 2 ok
Sep 20 '17 eng>esl focus on performance pro closed 1 ok
Sep 20 '17 eng>esl at the end of the first long scene pro closed 1 ok
Sep 20 '17 eng>esl the extraordinarily complex forms of social life pro closed 2 ok
Sep 20 '17 eng>esl festival one-shots pro closed 2 ok
Sep 20 '17 eng>esl test screenings pro closed 1 ok
Sep 20 '17 eng>esl with the ending of the film only decided on when the shoot got to that point pro closed 2 ok
Sep 20 '17 eng>esl in continuity pro closed 1 ok
Sep 19 '17 eng>esl screaming at or threatening to go out and fight the cocky and confident Fred pro closed 2 ok
Sep 19 '17 eng>esl By a stroke of bad timing, Carlin was also pregnant, but less far along pro closed 1 ok
Sep 18 '17 eng>esl Cassavetes' hell doesn't have other people in it pro closed 3 ok
Asked | Open questions | Answered